342-348 Six Moral Tales
- jorencain
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342-348 Six Moral Tales
Six Moral Tales
The multifaceted, deeply personal work of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the 1960s, standing apart from his New Wave contemporaries with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with the audacious and wildly influential series Six Moral Tales. A succession of encounters between fragile men and the women who tempt them, Six Moral Tales unleashed on the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating.
SPECIAL DELUXE EDITION THREE-DISC BOX SET
• New 2K digital restorations, with uncompressed monaural soundtracks
• Conversation between director Eric Rohmer and filmmaker Barbet Schroeder from 2006
• Four short films by Rohmer—Presentation, or Charlotte and Her Steak (shot in 1951 and completed in 1961); Véronique and Her Dunce (1958); Nadja in Paris (1964); A Modern Coed (1966)—and one on which he advised, The Curve (1999)
• "On Pascal," a 1965 episode of the educational TV series En profil dans le texte directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in My Night at Maud's
• Archival interviews with Rohmer; actors Jean-Claude Brialy, Béatrice Romand, Laurence de Monaghan, and Jean-Louis Trintignant; film critic Jean Douchet; and producer Pierre Cottrell
• Video afterword from 2006 by filmmaker and writer Neil LaBute
• Trailers
• PLUS: A booklet featuring essays by critics Geoff Andrew, Ginette Vincendeau, Phillip Lopate, Kent Jones, Molly Haskell, and Armond White; excerpts from cinematographer Nestor Almendros's 1980 autobiography; and Rohmer's landmark 1948 essay "For a Talking Cinema"; along with an English translation of Six Moral Tales, the book of stories by Rohmer on which the films are based
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The Bakery Girl of Monceau
Delicate and jazzy, The Bakery Girl of Monceau, the first entry in the Six Moral Tales series, evinces stirrings of what would become the Eric Rohmer style: unfussy naturalistic shooting, ironic first-person voice-over, and an "unknowable" woman. A law student (played by producer and future director Barbet Schroeder) with a roving eye and a large appetite stuffs himself with sugary pastries daily in order to gain the affection of a pretty brunette who works in a quaint Paris bakery. But is he truly interested, or is she just a sweet diversion?
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Suzanne's Career
Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches disapprovingly. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne's Career, the second of Eric Rohmer's Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance.
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My Night at Maud's
In the brilliantly accomplished centerpiece of Rohmer's "Moral Tales" series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of sixties cinema. A pious Catholic engineer in his early thirties, he lives by a strict moral code in order to rationalize his world, drowning himself in mathematics and the philosophy of Pascal. After spotting the delicate, blonde Françoise at Mass, he vows to make her his wife, although when he unwittingly spends the night at the apartment of the bold, brunette divorcée Maud, his rigid ethical standards are challenged. A breakout hit in the United States, My Night at Maud's was one of the most influential and talked-about films of the decade.
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Feature currently disabled
La collectionneuse
A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a "collector" of men. Eric Rohmer's first color film, La collectionneuse pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series.
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Feature currently disabled
Claire's Knee
"Why would I tie myself to one woman?" asks Jerôme in Claire’s Knee, though he plans to marry a diplomat's daughter by summer's end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer's Six Moral Tales and one of French cinema's most enduring moments.
Criterionforum.org user rating averages
Feature currently disabled
Love in the Afternoon
Though happily married to the adoring Hélène and expecting a second child with her, the thoroughly bourgeois executive Frédéric cannot banish from his mind the attractive Paris women he sees every day. His flirtations and fantasies remain harmless until the appearance at his office of Chloé, an audacious, unencumbered old flame played by the mesmerizing Zouzou. Love in the Afternoon, the luminous final chapter in Eric Rohmer's Six Moral Tales, is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series.
Criterionforum.org user rating averages
Feature currently disabled
The multifaceted, deeply personal work of Eric Rohmer has had an effect on cinema unlike any other. One of the founding critics of the history-making Cahiers du cinéma, Rohmer began translating his written manifestos to film in the 1960s, standing apart from his New Wave contemporaries with his patented brand of gently existential, hyperarticulate character studies set against vivid seasonal landscapes. This near genre unto itself was established with the audacious and wildly influential series Six Moral Tales. A succession of encounters between fragile men and the women who tempt them, Six Moral Tales unleashed on the film world a new voice, one that was at once sexy, philosophical, modern, daring, nonjudgmental, and liberating.
SPECIAL DELUXE EDITION THREE-DISC BOX SET
• New 2K digital restorations, with uncompressed monaural soundtracks
• Conversation between director Eric Rohmer and filmmaker Barbet Schroeder from 2006
• Four short films by Rohmer—Presentation, or Charlotte and Her Steak (shot in 1951 and completed in 1961); Véronique and Her Dunce (1958); Nadja in Paris (1964); A Modern Coed (1966)—and one on which he advised, The Curve (1999)
• "On Pascal," a 1965 episode of the educational TV series En profil dans le texte directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in My Night at Maud's
• Archival interviews with Rohmer; actors Jean-Claude Brialy, Béatrice Romand, Laurence de Monaghan, and Jean-Louis Trintignant; film critic Jean Douchet; and producer Pierre Cottrell
• Video afterword from 2006 by filmmaker and writer Neil LaBute
• Trailers
• PLUS: A booklet featuring essays by critics Geoff Andrew, Ginette Vincendeau, Phillip Lopate, Kent Jones, Molly Haskell, and Armond White; excerpts from cinematographer Nestor Almendros's 1980 autobiography; and Rohmer's landmark 1948 essay "For a Talking Cinema"; along with an English translation of Six Moral Tales, the book of stories by Rohmer on which the films are based
Criterionforum.org user rating averages
Feature currently disabled
The Bakery Girl of Monceau
Delicate and jazzy, The Bakery Girl of Monceau, the first entry in the Six Moral Tales series, evinces stirrings of what would become the Eric Rohmer style: unfussy naturalistic shooting, ironic first-person voice-over, and an "unknowable" woman. A law student (played by producer and future director Barbet Schroeder) with a roving eye and a large appetite stuffs himself with sugary pastries daily in order to gain the affection of a pretty brunette who works in a quaint Paris bakery. But is he truly interested, or is she just a sweet diversion?
Criterionforum.org user rating averages
Feature currently disabled
Suzanne's Career
Bertrand bides his time in a casually hostile and envious friendship with Guillaume. But when Guillaume seems to be making a play for the spirited, independent Suzanne, Bertrand watches disapprovingly. With its ragged black-and-white 16 mm photography and strong sense of 1960s Paris, Suzanne's Career, the second of Eric Rohmer's Six Moral Tales, is a wonderfully evocative portrait of youthful naivete and the complicated bonds of friendship and romance.
Criterionforum.org user rating averages
Feature currently disabled
My Night at Maud's
In the brilliantly accomplished centerpiece of Rohmer's "Moral Tales" series, Jean-Louis Trintignant plays Jean-Louis, one of the great conflicted figures of sixties cinema. A pious Catholic engineer in his early thirties, he lives by a strict moral code in order to rationalize his world, drowning himself in mathematics and the philosophy of Pascal. After spotting the delicate, blonde Françoise at Mass, he vows to make her his wife, although when he unwittingly spends the night at the apartment of the bold, brunette divorcée Maud, his rigid ethical standards are challenged. A breakout hit in the United States, My Night at Maud's was one of the most influential and talked-about films of the decade.
Criterionforum.org user rating averages
Feature currently disabled
La collectionneuse
A bombastic, womanizing art dealer and his painter friend go to a seventeenth-century villa on the Riviera for a relaxing summer getaway. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a "collector" of men. Eric Rohmer's first color film, La collectionneuse pushes Six Moral Tales into new, darker realms while showcasing the clever, delectably ironic battle-of-the-sexes repartee (in a script written by Rohmer and the three main actors) and effortlessly luscious Nestor Almendros photography that would define the remainder of the series.
Criterionforum.org user rating averages
Feature currently disabled
Claire's Knee
"Why would I tie myself to one woman?" asks Jerôme in Claire’s Knee, though he plans to marry a diplomat's daughter by summer's end. He spends his July at a lakeside boardinghouse, nursing crushes on the sixteen-year-old Laura and, more tantalizingly, her long-legged, blonde, older half sister, Claire. Baring her knee on a ladder under a blooming cherry tree, Claire unwittingly incites a moral crisis for Jerôme while creating an image that is both the iconic emblem of Eric Rohmer's Six Moral Tales and one of French cinema's most enduring moments.
Criterionforum.org user rating averages
Feature currently disabled
Love in the Afternoon
Though happily married to the adoring Hélène and expecting a second child with her, the thoroughly bourgeois executive Frédéric cannot banish from his mind the attractive Paris women he sees every day. His flirtations and fantasies remain harmless until the appearance at his office of Chloé, an audacious, unencumbered old flame played by the mesmerizing Zouzou. Love in the Afternoon, the luminous final chapter in Eric Rohmer's Six Moral Tales, is a tender, sobering, and wholly adult affair that leads to perhaps the most overwhelmingly emotional moment in the entire series.
Criterionforum.org user rating averages
Feature currently disabled
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- Joined: Sat Apr 15, 2006 7:06 am
Wow. Just... wow. Simply astounding. The box-set, according to the article, will have a list price of $99.95.tavernier wrote:According to this weekend's New York Times (Sunday's Arts & Leisure section), Criterion is releasing SIX MORAL TALES in a boxed set on Aug. 15 and SEDUCED AND ABANDONED on Aug. 22.
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- gubbelsj
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- Location: San Diego
- What A Disgrace
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- Jeff
- Joined: Tue Nov 02, 2004 9:49 pm
- Location: Denver, CO
And I suspect that Gary Tooze has spontaneously combusted.peerpee wrote:Ted T.'s probably fallen off his chair...
I imagine that the Moral Tales box would include Rohmer's Cinéma, de notre temps episode. Given Barbet Schroeder's relationship with Criterion, they will probably include an interview or introduction from him too.
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- Joined: Wed Nov 03, 2004 1:00 pm
No, but I scared my girlfriend, yelling so loudlypeerpee wrote:Ted T.'s probably fallen off his chair...
I just saw it in the paper -- I haven't been on-line -- I was too busy reading The Man Who Fell To Earth -- a spectacular Criterion extra -- I hope they do this with many future releases (6 Moral Tales is certainly a candidate, as Rohmer did them in book form).
If Criterion release a Rivette box, then I will fall off my chair -- I'd hate to disappoint Nick
Happy day!
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- Joined: Wed Nov 03, 2004 1:00 pm
Shorts, please, shorts!Jeff wrote:I imagine that the Moral Tales box would include Rohmer's Cinéma, de notre temps episode. Given Barbet Schroeder's relationship with Criterion, they will probably include an interview or introduction from him too.
Rohmer has them in abundance, many having made it to the UK & French DVD releases. Some are great...
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- Joined: Wed Nov 03, 2004 1:00 pm
Unfortunately MGM (now Sony) has Tale of Springtime as well as Pauline at the Beach so neither a Four Seasons box nor a Comedies and Proverbs box would appear to be possible. However, I sure hope Criterion just does a "Every Rohmer film we could get the rights to from Wellspring or whoever" boxdenti alligator wrote:This is wonderful news. Finalement!
Now we just need the Tales of Four Seasons in a box! Wouldn't that be the icing on the cake...
I'd kill for HD transfers of The Aviator's Wife and ten other Rohmer films...
- thethirdman
- Joined: Wed Nov 03, 2004 4:26 pm
I picked up four of the Moral Tales used two weeks ago, along with Perceval, at a Suncoast that was going out of business. I could not resist picking them up for a little over a dollar a piece. I will gladly double dip in favor a Criterion box set. The transfers on the Fox Lorber versions definitely left and a lot to be desired. All of the transfers seemed washed out and excessively speckled.
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I didn't say it out loud before, but I was one of them nit-pickers who weren't satisfied with this year's criterion releases (I think it all depends on whether you are a Malle man or not). Now I am happier than ever.
For anybody who was wondering, UK arrowfilms 8 disc Rohmer set (great set for its money) contains only one of the 6 moral tales (Chloe in the Afternoon); so this Criterion set is a well deserved non-redundant release.
For anybody who was wondering, UK arrowfilms 8 disc Rohmer set (great set for its money) contains only one of the 6 moral tales (Chloe in the Afternoon); so this Criterion set is a well deserved non-redundant release.
- GringoTex
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- Jean-Luc Garbo
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- Donald Trampoline
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Wow, this is pretty damn exciting! Would love to see that many Godard or Resnais shorts presented together.
By the way, above someone mentioned the Moral Tales are on Netflix, and I just wanted to mention that so are the Comedies and Proverbes, which I had a great time going through. The Fox Lorbers left a little something to be desired, but not as much as you would think since the films originate on 16mm (except for Pauline at the Beach I believe, which is on MGM DVD on Netflix). Obviously if you have access to the UK release it's probably better, but I got immense satisfaction out of renting the Comedies and Proverbes from Netflix mainly because the films are so excellent. I certainly consider the quality acceptable for a rental.
By the way, above someone mentioned the Moral Tales are on Netflix, and I just wanted to mention that so are the Comedies and Proverbes, which I had a great time going through. The Fox Lorbers left a little something to be desired, but not as much as you would think since the films originate on 16mm (except for Pauline at the Beach I believe, which is on MGM DVD on Netflix). Obviously if you have access to the UK release it's probably better, but I got immense satisfaction out of renting the Comedies and Proverbes from Netflix mainly because the films are so excellent. I certainly consider the quality acceptable for a rental.
- Gigi M.
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Confirmed in this month's newsletter:
Neil LaBute has directed five films, including In the Company of Men, Your Friends and Neighbors, and Nurse Betty. He has contributed supplemental interviews to two Criterion DVD editions: Mike Leigh's Naked and Eric Rohmer's Love in the Afternoon, the latter part of our upcoming deluxe box-set edition of Rohmer's Six Moral Tales.
- kieslowski_67
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- What A Disgrace
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- kieslowski_67
- Joined: Fri Jun 17, 2005 5:39 pm
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"Yi Yi" is easily one of the top 10 films of the new decade, but considering the treatment that Rohmer films got in R1 DVD releases, the Criterion box set of the crown and jewel of Rohmer's achievement has to be considered a major milestone for Criterion.Narshty wrote:What about Yi Yi? Everyone seemed to like that one.